China’s Ministry of State Security backs 40-episode spy drama The Long Watch, tops CCTV ratings
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- China’s Ministry of State Security produced a 40-episode television series called The Long Watch (per scmp.com)
- CCTV began airing The Long Watch on Sunday and the show topped television ratings in its time slot (per scmp.com)
- Xinhua reported the production team conducted immersive field research with national security agencies (per scmp.com)
- Mainland Chinese spy dramas had rarely addressed contemporary espionage across the Taiwan Strait over the past decade before this series (per scmp.com)
China’s Ministry of State Security has for the first time in recent years produced a 40-episode television drama, The Long Watch, and state broadcaster CCTV began airing the series on Sunday, where it immediately topped its time‑slot ratings (per scmp.com).
The Long Watch dramatizes espionage across the Taiwan Strait from 1998 to 2018 and, according to Xinhua, the production team conducted repeated immersive field visits with national security agencies to ground the scripts in real cases (per scmp.com).
The series explicitly places several real‑life intelligence cases and references — including comments by Lee Teng-hui — at the center of its narrative, a departure from the relative absence of contemporary cross‑strait spy stories in mainland television over the past decade (per scmp.com).
State media framing emphasizes the programme’s close cooperation with security agencies and presents it as an authorized, realistic portrayal of counter‑espionage work; scmp.com reports that the Ministry of State Security oversaw production and that Xinhua highlighted extensive field research (per scmp.com).
For audiences inside China, the combination of official backing, archival anchors from 1998–2018, and immediate high ratings means The Long Watch functions both as entertainment and as a public-facing depiction of national security priorities, while also filling a genre gap that mainland productions had largely left alone in recent years (per scmp.com).
The programme’s explicit engagement with cross‑strait intelligence incidents makes it notable: it signals a willingness by Beijing’s security apparatus to bring recent, politically sensitive intelligence disputes into mainstream televised drama, rather than confine them to historical or fictionalized accounts (per scmp.com).
- Chinese television viewers will see dramatized portrayals of mainland counter‑espionage work from 1998–2018, shaping public understanding of national security cases (per scmp.com).
- The Ministry of State Security benefits from authorized cultural influence when a state security agency oversees production and Xinhua documents immersive research, lending the series institutional legitimacy (per scmp.com).
- CCTV’s audience for the time slot bears the immediate cultural impact as the show topped ratings, concentrating the messaging in a measurable viewer population (per scmp.com).
- The genre gap — mainland spy dramas rarely addressing contemporary cross‑strait espionage over the past decade — benefits producers and state agencies seeking to normalize recent intelligence narratives through popular media (per scmp.com).
- Whether CCTV continues to promote and rebroadcast The Long Watch across additional prime time slots after initial ratings success (per scmp.com).
- Whether Xinhua or other official outlets publish follow-up pieces detailing specific agency cooperation or additional documentary material tied to the series (per scmp.com).
- Whether mainland broadcasters or streaming platforms commission more contemporary cross‑strait spy dramas now that The Long Watch has topped its time slot (per scmp.com).
- Only scmp.com is in the pack; it frames the show as state‑produced with close security agency cooperation and notes its ratings success (per scmp.com)
- No source disputes elements of the production or reception; independent assessments of historical accuracy or creative license are not provided (per scmp.com)
- No source in this pack provides independent verification of the specific intelligence cases dramatized or their outcomes.
- No source mentions audience demographic breakdowns or exact ratings figures beyond 'topped its time slot'.
- No source discusses any international reaction or how Taiwan authorities view the series’ portrayal of cross‑strait espionage.
- Only one concrete number appears: the series length of 40 episodes (per scmp.com)
- scmp.com reports the Ministry of State Security produced the series and Xinhua reports immersive research; no source attributes a causal trigger beyond official backing for why the series was made now (per scmp.com)
- scmp.com attributes production oversight to the Ministry of State Security and the field‑research claim to Xinhua (per scmp.com)